Bringing together the many facets of his musicianship, Mr. Leonhart offers a statement rich in mystery, textural depth and risk-taking spirit, leading an unorthodox large ensemble with key soloists including Donny McCaslin and Sam Sadigursky on tenor saxophones, Nels Cline on guitar, Pauline Kim on viola, Ray Mason on trombone and Dave Guy and Mr. Leonhart himself on trumpets.
I see lots of what comes across as scarcity mentalities in the Jazz world. From: attitudes about getting gigs, getting airplay, getting awards or peer recognition, and as well as getting press and reviews, etc. To: infrastructure issues like scene power trips, musician cliques, and philanthropic gatekeepers becoming the show – we can often lose sight of the main thing – JAZZ
MUSINGS o When a musician embarks upon the path of jazz artistry now, it seems to be a calling first and a way to make a living second. It seems accepted that one must have a supplemental income stream beyond performing gigs. But, that seems to be the way it has always been. o We […]
Part 2.4 of The Mark Taylor Interview explores his years after leaving conservatory.
Jazz Artistry Now Editorial Commentary 02.25.18 Jazz Artistry Now – As we approach concluding the second decade of the 21st Century, I am coming to another place of appreciation for the information available to humanity via digital technologies and the Internet. The Internet changed the music industry in some of the ways people make money […]
Part 1.4 provides JAN readers an introduction to Mr. Taylor.
The Airmen of Note is the premier jazz ensemble of the United States Air Force. The band of world-class musicians was created in 1950 to continue the tradition of Major Glenn Miller’s band.