JAN is a featured program of Burnett Music Foundation.
Tate Berry is currently a student enrolled at the University of Missouri-Kansas City. He’s a Jazz Studies major in the conservatory of music and a Business major in the Bloch School there. Tate plays woodwinds, primarily saxophones, and also composes music.
Less than a year later when I began playing with Betty Carter, this was something she addressed to me – being able to put aside all else that’s on your mind during a show and to simply serve the music. Learning to tap into that place, and the self-observation entailed, is a lifelong waking meditation for a performing artist.
(Yes, but exclude the recorded crowd noise during games.) Professional sports like football and major league baseball offer modern infrastructures for presenting products to all audiences.
In his work there was a certain adamant refusal to sign on with and regurgitate what everyone else was saying. For better or worse.
Charlie “Bird” Parker was born in Kansas City, Kansas in 1920 and grew up in Kansas City, Missouri – his artistic innovations would ultimately lead him to worldwide musical acclaim. This undisputed and universal acknowledgement as an innovator and musical genius continues to the present. QUOTE “A father of bebop, he has continued to influence generations […]
“You sound good, I heard you playing that ‘One Finger Snap’. You know that the melody you’re playing after the first four bars was mine, right? Herbie wrote out the first four bars of the melody and after that, he just had the chords on my part and told me to play my own melody. What you’re playing is what I played on the record, but I just came up with it that one time. Now they have it written that way in the fake-books, hahaha!”
VOLUME 1 Check out JAN Vol. 1 using the direct hyperlinks below featuring the writing contributions of David R. Adler, Christopher Burnett and Scott Yanow. Editorials… Commentary: 07.06.17 Brian Landrus The Airmen of Note David Binney Bobby Watson Fred Hersch Commentary: 08.05.17 Top Jazz of 2017 Commentary: 12.25.17 Commentary: 02.25.18 Commentary: 06.04.18 Commentary: 07.15.18 Articles… The […]
Mr. Leonhart was featured on the 2016 Grammy-winning hit song “Uptown Funk” by Bruno Mars and Mark Ronson. He’s worked with everyone from Randy Newman to Alicia Keys. A sought-after producer as well, he landed a Grammy nomination for his work on the album Many a New Day: Karrin Allyson Sings Rodgers and Hammerstein.
Bringing together the many facets of his musicianship, Mr. Leonhart offers a statement rich in mystery, textural depth and risk-taking spirit, leading an unorthodox large ensemble with key soloists including Donny McCaslin and Sam Sadigursky on tenor saxophones, Nels Cline on guitar, Pauline Kim on viola, Ray Mason on trombone and Dave Guy and Mr. Leonhart himself on trumpets.
I see lots of what comes across as scarcity mentalities in the Jazz world. From: attitudes about getting gigs, getting airplay, getting awards or peer recognition, and as well as getting press and reviews, etc. To: infrastructure issues like scene power trips, musician cliques, and philanthropic gatekeepers becoming the show – we can often lose sight of the main thing – JAZZ